Monday, May 12, 2008

The Art of Movie Trailers

My brother asked me some advice regarding movie trailers. He has something in mind for a project and wants to mimic a trailer. It got me to thinking that it might make for a fun blog entry.

For the slim possibility that there is actually a person that doesn't know what a trailer is… it's the "coming attraction" previews of a movie. I have a friend that complains about them—saying that they give away everything in a movie. He refuses to watch them. I, on the other hand, love to watch movie trailers. They make me giggle with excitement, make me feel like a little kid, or groan with despair, frequently saving me the thirteen bucks or whatever it costs to go see a movie nowadays. That's because, my friend is right; most trailers do give away pretty much everything in the movie. They can save me a lot of agony.

And, as everyone knows, most are actually better than the movie.

The movie trailer has come a long way, and has really ramped up as an art form in the last fifteen to twenty years. Once upon a time, they were a hodge podge of the best moments of a film. Many were cut from an actual print, so the sound would cut miserably and jarringly. There was little attempt to put something together that was smooth, that flowed – or even captured the spirit of the movie.

It's amazing to watch old trailers and see how bad they actually were. I won't even bother going any further back in time than the early 80's to illustrate the point.

With a new Indiana Jones movie about to be let loose, the Indiana Jones website is an excellent trip down memory lane as well as a fascinating study in the evolution of trailers. What's really amazing is to see how bad the first Raiders of the Lost Ark trailer is. I remember it too—seeing it on television. The theatrical trailer for Raiders is a bit better. A bit. What is interesting about it, is that it still has a 1970's sensibility; it leads you to believe that Raiders might be a serious, dark movie—perhaps a thriller. There is actually very little hinting at how much fun it will be. The trailer for the theatrical re-release a couple years later specifically reminds the audience "THIS IS A FUN MOVIE!!!"

However, these trailers are all very primitive by modern standards. Oddly, the new Indiana Jones trailer is NOT to be viewed as an example of a good trailer. It's quite poor. I don't know why but I'm hoping it's because Steve and George aren't too concerned. They know the movie will be a monster hit even if they just showed a still of the title for two minutes and thirty seconds.

So, for filmmakers, this might be of use and for the general public, it might be of interest. Here is what the modern movie trailer has evolved to: Generally they are about two and a half minutes long and consist of five acts. They may or may not have voice over, and they may or may not have flashy title cards helping to move the plot along.

The best trailers don't need a voiceover or title cards. These are crutches, but are such standard practice, that no one really criticizes them much.

Watch almost any trailer these days and you'll see how the five act breakdown works. This is not to be confused with the five act structure commonly used by Shakespeare. It is a structure unto itself; basically a classic three act structure with a tease-in and a tease-out.

  1. A teaser lead in.
    1. Very brief, sometimes over the production/distribution company logo, sometimes audio only. Sometimes just a few seconds long. It could be from any point in the movie.
  2. 1st act of the story. This is where, if there's a voice (usually Don LaFontaine) it will say, "In a world" or… "When John Doe thought he knew…"
    1. The movie is set up.
  3. 2nd act of the story. In a trailer, this is where the problem that will be the premise of the movie is detailed. Not dissimilar from the typical three act structure.
  4. 3rd act of the story. This is where, if Don has been saying things he now says, "Now, he has to…" The solution being something like save the world, get the girl, or something. (it might actually incorporate a lot of the actual 2nd act of the movie)
  5. A brief lead out.
    1. Sometimes this is after the title card. It could be very quick – just a couple frames, or it could be a few seconds long. If it's a horror movie, something horrible happens. If it's a comedy, a punchline that was set up a little earlier will be delivered. It could be from any point in the movie.

Boom. Done. Now go see the movie.

When I started cutting trailers for my own movies, I studied countless trailers. While cutting the Ghosts of Edendale trailer I was most impressed by the trailer for The Others. I think it's a masterpiece as trailers go. Damn fine movie too. Watch both and you'll see they're five acts.

For trailers of this coming summer, here are a comedy, Tropic Thunder, and an action movie, Dark Knight. Both perfectly made, both two and a half minutes, both five acts.

So, there you have it. Check it out. See if you can spot the five acts in a movie trailer.

Enjoy.

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