Monday, June 23, 2008

Looping Dialogue – when it doesn’t work

With the L.A. Film Festival in full swing now and with a special connection to free passes, (thanks, B) it makes for a great escape from the HOT – HOT - HOT place that is my house. Yes, we're in a heat wave and it's brutal. There comes a point when the fact that it's a "dry heat" doesn't really matter. 105, 107… those temps are hot no matter what. Even when a person can survive, electronic equipment creaks away dangerously. The keyboard of my notebook computer is hot to the touch. The Ipod shouldn't be used in temps like this. Heck, it's even starting to approach the max storage temp of 113 for a lot of electronic equipment. What does one do in Palm Springs where it did exceed that temp if one isn't home?

I finally saw the new Indiana Jones and the Crystal Skull movie last night. I'm sure enough people have seen it that I don't need to review it. It was – okay, it sufficed. I was bothered by a few things: story wise, magnetism was treated in the most ridiculous manner ever – even if you believed it within the context they set it. Surviving waterfalls effortlessly (waterfalls that make Niagara look small) was too much – even if using the Temple of Doom measuring stick. However, something more bothered me that really pulled me from the movie in the beginning, and it's something that probably hasn't been mentioned in any reviews. It's entirely a tech-geek thing, but on a subconscious level, it does affect everyone watching a movie.

Here goes.

It appeared to me that Harrison Ford's dialogue was entirely looped for the first fifteen or so minutes of the movie. Other sections were looped also, but my attention wasn't as obviously drawn to them. Here it was. It wasn't as obvious as the looping in the first Mad Max movie, but to me, still obvious.

To give a quick background for those who might not instantly know what I'm talking about, "looping", or ADR, as it is popularly called now, is when the original dialogue (that was recorded during production) is replaced. This happens for a bunch of reasons – poorly recorded, too much extraneous noise, etc. Sometimes it's done to actually change a line reading. In a controlled environment, the actors (or a voice "double") record new dialogue, matching to the lips on the screen. To do it well, not only do the lips have to match and sync up perfectly, the inflection has to match also. Additionally, we, as an audience, have come to expect a certain 'proximity' to the voice in relation to the distance the actor is from us on the screen. In other words, if the actor is way off in the distance, it would feel unnatural if it sounded like the microphone was three inches from the actor's mouth. This means that doing ADR right is as dependent upon the audio engineers as the actors.

When it's done properly, you can't tell. Most movies – especially larger movies, have looped at least 10% of the dialogue. Sometimes, especially in action movies or movies with a lot of exterior locations 90% or more of the movie has been looped.

Done right, you don't notice it. But somehow, for some reason, it wasn't done right, I noticed it, and it bothered me – pulling me out of the movie before it even got off the ground. I'm not sure I ever got back into it – and I was very aware of the fact that I was watching a movie. In other words, I never quite suspended my belief. Too bad.

And now that I've drawn your attention to it, perhaps when you see the movie, it will bother you too. Sorry.

Other quick note.

Yes, George Carlin died. That's big news and an enormous loss for the world of comedy. Don't need to comment on that much more because it's such big news and others have much better things to say and write.

Did you know that Stan Winston died? That's a major loss for the Special Effects world. Some of the larger movie moments we have collectively said WOW to were created by him and his company – the dinosaurs in Jurassic Park, the morphing dude in Terminator, the list is long. It's a big loss.

For me, as I have been in a bit of a news blackout in the last week, the person I'm bummed about most is Cyd Charisse, who died last week. Rather than comment on her passing, I will break copyright law and include a youtube video. Intead of the most obvious clip, her incredible number in Singin' in the Rain - here's something different, though still similar in style: a dance number from a movie called, Party Girl.

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