Showing posts with label indie filmmaking. Show all posts
Showing posts with label indie filmmaking. Show all posts

Friday, December 07, 2007

Budgeting and Scheduling

I've spent the last week working on a script breakdown of The Diamond Chasers and now I'm creating and fine tuning an actual budget. I'm also gearing up to rewrite the script based on notes I'm awaiting. All of which mean, I suppose I'm in pre-production. It's a tenuous time because – ah heck, it's filmmaking -- the whole nature of the animal is tenuous. Anyway, budgeting this movie is daunting. Unlike The Last Broadcast, which I basically made out of pocket, and Ghosts of Edendale which was made with plastic and foreign promises, The Diamond Chasers is quite a bit bigger. So, of course, the much larger pile of money that will be spent is partially dependent upon the actors, who are partially dependent upon any number of things, including which way the wind blows.

The budget being bandied about is also quite modest – not really 'action movie' money. It means that I'll have to pull in the belt and think very creatively. So be it, I'm certainly one of the most qualified directors ever for that job.

Anyway, there is something mildly exciting about this point because it is forward motion to the project. For the moment, I better not detail any more lest I thoroughly jinx things. I'll just put it this way -- Outlook is hopeful. Hey, I even had new business cards made. That may not seem important except that I've never made a movie specific business card unless the movie was relatively close to rolling…

Hopefully The Diamond Chasers will follow in that tradition. It's a project that has been around in one way or another for many years. It's high time to get the thing into the air.

Anyone have a good price for a 48''x30' rubber belt conveyor? Preferably located in the Midwest?


Saturday, July 07, 2007

Antics 3d Pre-vis Tool is Amazing

Generally, I try to title my blog entries with something clever – something that might not make sense till the entire entry has been read. This is a practice shunned by those trying to get the most readers possible. Rightfully too; people looking through the various feeds, and google searches, etc. – would have no idea what the heck "The Old Grind", "Itchy Fingers on Keyboard", or "Partial Reveal" are about. I don't care as I'm not obsessing about building a reader base or anything of the like. Not at the moment, at least. Ironically, the most frequent searches taking people to this blog are for the ME7ERG Ergohuman office chair (which is the incredibly great chair I'm sitting on now as I write this) and Miniwax Polyshades (awful product btw), which I described when I was building a DVD shelf.

I break my tradition of obscure blog titles because I DO want people to surf to this entry – to learn more about this product.

I'm currently pre-visualizing several scenes from the movie I'm in pre-production on (to be known from now on as The Diamond Chasers) and have to report – this is one of the coolest pieces of software I've used in a long time. I'm excited in the same way I was when I moved from tape to digital editing with audio so many years ago; the same feeling as going from a typewriter to a word processor. This is a radically important piece of software. It works and it works well. It not only makes it possible to visualize a movie before it's made, it enables one to really practice directing; honing visualizations or creating entirely new ones one that might never have been thought of on set - where the ever present knowledge of cash vanishing into the ether rightfully stifles the creative musings of a director in flux.

Incorporating ik (inverse kinetics), lighting, character movement – as well as gaming logarithms AND some AI, this stuff is nuts. It's a big program and it does bog down the computer after a while, but man o man… so cool. I am not a 3D person, as I previously wrote, but this software really allows people who don't do much with 3D to avoid the mind-numbing modeling and other work, and get right to the creative stuff – creating a scene.

I will be putting the actual pre-vis online when it is finished, but for the moment – I tease with twenty seconds of part of it. There's still geometry crashing through itself, lighting and shading is super basic and still in test mode, timing isn't right, I'm still playing with camera angles – and it's obviously silent – but it gives an idea of what can be done with this incredible program.


Saturday, June 23, 2007

Pre-Visualization

Okay, I'm back with an honest to god entry. It's bad when people start razzing me from other continents.

Somethings I've noted about why personal blogs and websites are or aren't updated in general:

  1. Nothing is happening in your real life, so you sit in front of the computer and write meaningless entries about meaningless things.
  2. A lot is happening in your real life, so you don't have the time to write about all the interesting things going on.
  3. You are shamelessly promoting something (usually yourself), so you are trying to keep yourself out there in the world and will write about anything to do so. This frequently devolves into reviews of things or editorializing about other people.
  4. Things are happening in your life and you are so well organized with your time that you are able to find the time to write about them.

By the way, I don't really think #4 exists – unless you are a paid writer. I am a paid (occasionally) writer, but since this blog is strictly for kicks, it gets updated last. And I admit to having been guilty of all the above enumerated reasons.

That all said…

The script for the next project is done. Well, at least it is as done as it's going to be until the next set of changes falls upon it. That's the way it goes.

I'm happy with it, the happiest I have been with any script I've written. Early word back from readers is that - this is it. Which is good because it's going out.

"Going out", for those not familiar with the vernacular of show business types who have the pathologic need to drop dopey phrases to appear 'in', means – The script is going to be sent to people who could help move it to future phases.

"It's going out" is most frequently used by people who "Do Lunch" and "Take Meetings". In case you're rolling your eyes about how infantile everyone in Hollywood is, these are expressions most frequently used by people who aren't actually 'in' but are rather, desperately trying to appear 'in'.

I will leave further snarkiness about Hollywood to those that do it better and focus instead on what I'm beginning to do now – which, actually – is really cool and also the title of this entry.

PREVIS

Given the cost of making movies and given the collaborative nature of the form, from early on, pictures, sketches, still photos, etc. have been used to demonstrate the director's vision. This is most often done for stunt scenes or situations where camera coverage has to be done absolutely perfectly and hopefully as best as possible, artistically. A conversation between two people is not so important. Any decent director should be able to come up with an interesting way to cover those on set. Or perhaps, not so interesting a way, but still a serviceable filming thereof. Okay, some directors should pre-vis a conversation between two people.

Pre-visualizations are also a way to aid in pitching the movie to those who might become instrumental in getting the damn thing to happen in the first place. Frequently these are the same people the movie "goes out" to.

Pre-visualization of stories has, over the years, become quite sophisticated: moving from pencil sketches to beautiful oil painted renderings, to full animations, or clips from other movies; all to demonstrate, "It'll look something like this!"

That's what I'm doing now.

I'm beginning to work on a visual and audible demonstration of what parts of the movie will look, but more importantly, feel like. Basically, it's a fancy sales tool. The idea is that it will help people actually pick up the script and read it – and get it. An unfortunate (and I am one of these people) problem is that reading scripts is a drag. For one thing, there's so many of them. There really has to be a reason. Either you're doing it as a favor, or it's a potential gig. Though a good script can be a great read, I don't think anyone actually reads them for pleasure. Watching something for a few minutes is much easier.

Though I can't draw my way out of a paper bag, I'm a pretty handy animator when it comes to doing 2D animation on a computer. Certainly, I'm no Scott Hale, or any of the wiz kids working up North, but I can get by. 3D though has never been my bag. Too much scrolling around a virtual world, and I always end with 3D characters that look fine from one angle, but from another angle have arms three feet away from their bodies. If you've done any 3D work, you might know what I'm talking about.

In researching methods of doing previs work, I found several pieces of software which I've demo'd. In this brave world we're in, there seems to be a tool for every job. Of all of them, one blew me away. Designed specifically for this exact job, thus far it seems very workable – even for a 3d challenged person. You build a set, inhabit it with characters, direct them, place cameras and move them… and it creates full motion, with all the camera dollies, cranes, lens, etc. built in. Depending on how crazy you want to get, it can do some pretty decent shading and rendering (that roughly translates to – how realistic it looks in the end).

Though it was rather expensive, I just bought it, and am now crash coursing myself on how to use it properly. I feel certain that it will worth the investment.

This is also a tool that could really allow for an idea I proposed around 'town' about nine years ago. More on that in future entries.

So, there you have it. Expect to read much more about the previs of Diamond Road, and hopefully soon, see some examples.

Thursday, May 03, 2007

Partial Reveal

Okay, a little bit of info. More as I receive it.

The investigative story that I've been researching and writing is going to be in this coming issue of FADE IN magazine.


What appears to be the cover. I'll let you know as soon as I have one in hand.

My story is about the foreign levies programs of the WGA and DGA.

Never heard of the words "Foreign Levies"? Didn't think so.

Sounds dull? Trust me, it's not.

Remember how I was racing against a couple other writers covering the same story? Well, they both hit the streets yesterday. However, it's not a bad thing – one was in the La Times, the other in the LA Weekly. The LA Times story is good, however the LA Weekly article is incredible. In the spirit of accepting and acknowledging Dennis McDougal's great investigative writing, here's a link to it. My story covers some of the same ground, however it is a bit more independent filmmaker oriented.

You could very well be witnessing the beginnings of a monumental scandal – a scandal you can't quite call a "Hollywood" scandal, because it involves so many people not truly associated with Hollywood.

I'm going to try to keep my blog the free form, "day in my life" thing It's been. However, be prepared to see some future entries get very industry and film specific.


Saturday, April 28, 2007

Babble On, Hollywood

As part of this magazine story I've been writing (yes, it has still been in process, now two weeks beyond the original deadline), I tracked down a rather reclusive director. It was an exercise in detective work on my part because certain entities (I promise you will eventually find out what the hell I've been alluding to) said they couldn't find him. It was also because, not only do these entities owe this guy money, he is a legend. It was an excuse to take a walk on the wild side – and tell him of money owed him; certainly a good ice breaker in any situation.

After a bit of searching, I was given his address by someone who said that postal mail was the only way to communicate with him.

Because he has no telephone, this really is the only way to reach him. His mailing address rather than a P.O. box, was an actual address in Hollywood complete with suite number.

I decide to drive to the address. Perhaps I could talk to someone there.

The address led to a seedy hotel in a seedy part of Hollywood. Actually, it was a youth hostel.

The front desk told me that yes, this is where the person I was looking for lived and, after leaving my ID, explained how to find his room.

I entered a tiny elevator, the type where only two people can fit at a time, with the steel cage you close around you; and arrived at his floor with a shaky clang.

I slid the steel door open and then walked down the long, narrow, windy hallway that was painted about four different colors from start to finish until I reached his room.

I stared at the brown painted metal door with the large peephole in the center for a long while. Behind this door possibly was a legend of avant-garde cinema. Then I knocked. I heard the shuffling of feet. Then the door opened slightly and around it peered the annoyed face of the eighty year old director.

"What do you want?" he asked, staring at me with baleful eyes.

I, rather nervously, told him who I was and then, before I had a chance to tell him I had information that would lead to money for him... Kenneth Anger slammed his door in my face.

Wednesday, December 06, 2006

Writing on Game day

Got the second to last action scene knocked out yesterday. It was a good day, twenty odd pages of writing. These are the days one struggles for months to get to. In a typical day, I will write five pages of words. However, these words are generally questions to myself, thoughts about the back story, forward story side story behind story, and so on. Meta writing is what we call it. writing about writing. It’s useful and necessary, but it can also be one of the more insidious tools of procrastination. So, when I say it was a good day, twenty odd pages of writing, I should say – twenty odd pages of screen writing.


INT. OFFICE - DAY

A small room, crammed with bits and pieces of electronics,
computers, video and audio editing equipment and musical
instruments. Sun streams in from the window in front of the
office desk, bathing everything in a golden light -- another
perfect California Day.

STEFAN AVALOS, a tall, dark and extremely handsome man sits
in front of his laptop computer, typing furiously. He taps
the keys with the furious speed of a man trying to beat a
clock. He mumbles to himself as he types.

STEFAN
AMEN! I'm writing! This Action
Scene kicks ass. This is such a
relief after the hell of circling
this stuff. Oh… that's gotta hurt…
that'll get the audience cheering.

The phone next to him RINGS. He lets the machine take it, not
stopping for an instant. The fourth ring activates the
machine's message - and BEEEEP.

PHONE (OS)
Hi, Stefan, This is Norm. Say, I
have an extra ticket to The
Clippers game tonight. Let me know
if you're interested. Call me as
soon as you can.

Stefan stops typing for a moment and stares towards the
machine with the now, blinking orange light.

STEFAN
(murmuring)
Clippers… That would be great, if I
can get these pages done and sent.

He looks at the cursor on the screen, caught in mid-sentence.

Then his fingers start pounding the keys of the notebook once
again.


That kind of writing.

So, last night, as you perhaps read in a screenplay somewhere, I went to a Clippers/Heat (basketball for those of you not aware) game at the Staples center. Excellent seats and an excellent game – a nail biter to the final buzzer. Basketball at the Staples Center - one of the ultimate L.A. experiences, it sure was a great way to reward a fine day of writing. Additionally, basketball is fun to watch, especially live. Not like Baseball. I’ve been to three Baseball games in my life. The second time was because I’d forgotten how bored I was the first time. The third time because it was at Dodgers Stadium, and I thought mayyybe it was a Philly thing. Ha.

Basketball – Any time. Let me know.

Final Score for the December 05:

Writing 22, procrastination 0
Clippers 101 Heat 97
Tequila 2 corona 1

I hope the above post looks right... formatting this bugger was a major pain.


Monday, October 16, 2006

Horror Doing Well In October

So, fellow Bucks County writer, Stephen Susco had a great opening with his latest movie, The Grudge 2. Cool! He’s on a real roll; seems like there’s no stopping him. Nice guy – he deserves it. He’s also a writing machine. Pretty humbling, actually.

Also, Texas Chainsaw, the beginning, is still in the top ten also. It was D.P’ed (director of Photography) by Lukas Ettlin, the same guy who D.P’d my movie, The Ghosts of Edendale. I’m guessing he’s enjoying working on movies with more money.

My friend, John Gulugers’ movie, Feast hits DVD this week so – buy a copy, or at least rent it.

And in playing, “how small is the horror film world?” -- John’s mother, Miriam was in Texas Chainsaw III . The Ghosts of Edendale is dedicated to Miriam, who passed away in 2003.

Writing away here as usual. We recently started a writer’s group that’s been pretty helpful. We’ve kept it small, and the people in it are really good; most already have produced credits. It’s been helpful to bounce ideas with them, and is a good reminder that ‘you’re not by yourself’.

Finally, please do us a huge favor: if your local video store doesn’t have The Last Broadcast – the collectors edition, please request it. Or even better – buy it. It’s chock-full of extras, so I promise, you won’t be disappointed.

Friday, September 01, 2006

Feast on This

Feast on This

Just watched a trailer for Feast. You know, the Project Greenlight movie. The folks over at Fango got an exclusive, and it’s definitely worth checking out.
The movie has gone through quite some turmoil to get to the public. I’m glad everyone is going to finally get a chance to see it. John Guluger, the film’s director has really worked hard, and it shows. Congrats John, Clu, Diane and everyone else. It’s been a long road.

Also, in keeping with the mentioning and re-mentioning of friends (and myself of course) and our DVD releases and re-releases (enough with the re’s right?)

Down in the Valley – Directed by David Jacobson (Edward Norton, Bruce Dern, Evan Rachel Wood, Rory Culkin)
Head Trauma – Directed by Lance Weiler (Vince Mola, Jamil Mangan, Strange Hooded Figure)
And of course ---
The Last Broadcast

Went to the Hollywood Bowl last night. Good concert. One of the things I was really impressed by, which I don’t think gets a lot of credit, was the quality of the camera work and video switching on the big reinforcement monitors. You know – the large screen television you end up watching when you’re too far from the stage. Last nights work was as good as something you’d see on PBS. Fantastic close-ups of various musicians, cut and dissolves right on cue… Yeah, this was someone who cared, not just a jobber.
I’m going to try to see if I can find out who it was and give him a ‘well-done’. I know I’d be happy if someone out of the blue did that.

Okay, my day begins. I am now jamming through the writing. Like a rocket that’s been through countless delays, and technical issues- the engines finally got lit and are operating at full blast. Hallelujah!

Thursday, August 17, 2006

Fast Cheap and Under Control

I recently received a copy of a great new book titled Fast, Cheap and under Control: Lessons from the Greatest Low-Budget Movies of All Time written by John Gaspard.


First, it’s a great book. I highly recommend it for people interested in filmmaking and/or aspiring to making movies. Second, in a chapter devoted to four mock-docs, The Last Broadcast is written about in a very accurate, and informative way.

For myself, the coolest thing is that David Holzman’s Diary, a movie I studied in school and that was very influential to Lance and myself, is the movie that immediately precedes TLB. It’s kind of awing when you are being written about right next to your heroes.
I really wish my film Professor were still alive to see this. He’d have gotten a real kick out of it.

Along with our humble selves, there are many other interviews from sixty nine ‘indie’ movies, spanning a wide range of time and genres. It really is a great list of movies. Check it out.

Also, as September 26th approaches, it’s time for me to start plugging – the re-release of The Last Broadcast. As we near the ten year (GULP) anniversary of the movie’s inception, Heretic films is putting out a brand new, remastered movie, along with all the original extras of the first DVD, plus a slew of new ones. I’ve reconstructed the original website, and over the next few days will amp it up with new information. For now, check it out at: www.thelastbroadcastmovie.com
Also, check out www.hereticfilms.com

Finally, check out Lance Weiler’s newest project at www.headtraumamovie.com
He begins his fifteen city theatrical run tomorrow, so if you’re near one of the screens, go see it. Best of luck, Lance.

That’s all for the moment.
Have a good one.

Monday, June 19, 2006

Beach Crawl

It’s getting hot. Early. Too early in the summer, I say.

I wired up an exhaust fan in the attic, and have been able to bring the overall temp of the house down about ten degrees. Every degree counts when you break 100 degrees. Thankfully, no forest fires yet.

Several nights ago, three days after the full moon to be exact, we, Marianne and myself and our friends (I will call them Mathboy, Opera Girl and Spawn) went to the beach at 10:00 PM with flashlights and beach blanket. Mathboy had been telling us about a childhood experience and we went to also witness it. First, we watched a truly spectacular Moon rise over the ocean, and then we saw the purpose of our journey -- the Grunion Run. I, not being a fishing type of a guy, didn’t know much about Grunion. They are small fish that have the absolutely fascinating trait of crawling, yes crawling, up the beach after a full moon to “get it on”. Females drill a hole into the sand with their tail, and deposit eggs, whereupon, the male hops in and does his thing. Then back into the ocean they go. Or, if they are unfortunate to do this when the public is out, into a bucket more likely, as children of all ages ran around the sand grabbing the fish.
It all happened at the Cabrillo Aquarium and if you are a Socal local, I recommend it. It was a really fun, and wholesome event – for the humans, not the fish. It was also a great way to check out the aquarium, as it too was open. There was a certain vampiric quality to looking at the various fish at midnight. No lines, no crowds, no sun.

Bonfires on the beach completed a classic vision of a southern California night. I could very easily have imagined Frankie and Annette popping out from around the large lifeguard stand.
Perhaps, because the movie the aquarium showed that explained the “Grunion Run” was made around 1955, or perhaps the simple glee with which the kids were running around trying to grab small fish, overall, the entire thing had a certain 1950’s vibe to it.
In a good way.

The L.A. Film Fest starts this week. In an attempt to be an actual “A” list festival, rather than merely pretending to be, they seem to really be going all out. It faces the eternal hurdle of being in a town where people are inundated by movies and film festivals. It’s hard to get excited for every single one. However, it has developed, and I’m looking forward to it, namely because:
Several friends have movies programmed, specifically Louis Pepe and Keith Fulton’s, Brothers of the Head, and my old “The Last Broadcast” partner, Lance Weiler and his movie, Head Trauma. A heady fest, shall we say? Perhaps not. Sorry. I’ll be playing host to a couple people from the East Coast. It’s always interesting to see the town through fresh eyes.

The remastering of The Last Broadcast is finished and delivered to the distributor.  It took a good month and a half to do the job. It’s nice to be done with it. The DVD will quite something; close to four hours of material in addition to the movie. I think something that will appeal to many people, which isn’t even listed as an extra, is that I incorporated the score into the chapter selection screens. Thus, the DVD, for all intents and purposes, is also a soundtrack album.  In doing this, a lot of requests from over the years will finally be fulfilled. It was interesting to go through all the old music tracks, clean them up and remix them. It really hammers home how much the technology has advanced in the nine odd years sine we began that movie.

Writing continues, interspersed by reading scripts, playing the violin, and continuing my latest hobby/fascination of building studio grade audio gear. The microphones having been such a success, I’m undertaking a significantly more difficult project. It will be my official “summer hobby project” – a high end Two Channel Microphone Preamplifier. Lots of components with real electricity coursing through them, I hopefully I won’t let the smoke out of any expensive parts - or myself.
I’ve been ordering up lots of the parts online, but for the moment I’m going to hold on actually placing the orders. Though very convenient, generally cheaper, and less likelihood of the wrong parts, a certain visceral feel is lost by online shopping. For that, a trip to a huge electronic surplus ‘junkyard’ is in order. I’m reminding myself to have fun with the journey as well as the final product. Also, the ideas that spring from these excursions can’t be matched with electronic catalogs.

I’m sure it will be a blog in the future.



Saturday, May 13, 2006

Been a little while

Been a while since my last entry. That’s a sign that I’m busy.
The microphone project has been a smashing success, so much so, that I’ve created an area on my website about it. If you’re interested in perhaps building a high quality microphone yourself and have a little bit of knowledge about electronics, I recommend this highly. Just click on DIY GUY on my website. www.stefanavalos.com

Diamond Road, or whatever it’ll be called, has finally been re-outlined. I went through the most serious “lack of inspiration” time period that I’ve had in a long time. Thankfully, persistence got me through it. Hopefully now that the new treatment is finished, a draft will only take a few weeks.

To my left, a large editing workstation is capturing footage from The Last Broadcast raw tapes. I can announce publicly now that a re-release of the movie is under way. It’ll be out this fall, in time for Halloween. A Brand-spanking new DVD, it’ll feature the Remastered movie, new extras in addition to the original extras, new commentary, etc.

There will also be a very special bonus feature. Fans of comic books will be very excited, I think. Stephen Bissette (Swamp thing, Taboo) will be doing a mini-comic book, which will be part of the first run of DVD’s.  It’ll be a definite collectors item.

Stay tuned for a “new” official site featuring the original 1996-97 website. It’s a real trip down memory lane, and hard to believe that it’s been nearly ten years already since Lance and I went into production on that movie.

Speaking of trips down memory lane, I had an opportunity to see Raiders of the Lost Ark: The Adaptation. Talk about the most joyous reliving of childhood! If you haven’t heard of this movie, it’s a scene-by-scene remake of Raiders of the Lost Ark, made by three boys in Mississippi after they saw Raiders. I too was making my little “Raiders” type movies when I was twelve, as were a lot of boys of that time. Mine were about five minutes a piece. These guys, however, remade the whole feature! It took them seven years, but yikes. Rolling boulders, Nazis, barroom brawls, caves, THE TRUCK CHASE. It’s all there.
There is a feature film about their lives in development. I think if it ever gets made, it could be one of the ultimate “wonder years” type looking back on childhood movies ever. My vote is for Robert Zemeckis to direct.




Saturday, October 15, 2005

Hunting at Night



Over the last several years, I’ve gotten bunches of email regarding my movies -- fan mail, hate mail, questions, psychos, even a stalker who is now doing jail time, for real.
For every ten fan mails or good reviews, one bad one can really kill you. You develop a thick skin after a while, and the more mass there is to the overall review pool, the less each one matters.

Something I really tend never to do is respond to hate mail, just delete it.

However - Today I got the coolest hate mail yet. So cool, in fact – that here’s the link to the guys who sent it. http://www.myspace.com/theenemies
Check out “The Enemies” theme. Pretty good tune. Bit of a “Ramones” knock off, but hey, better than a lot of stuff I hear today.

It’s not everyday that a punk band writes a song about how much you suck and how much they hate you. It’s even rarer when the hatred of you is cited as an actual influence for the band.

Wow.

Lest someone else think that innovative hate mail is going to impress me… it won’t. It’s the uniqueness of this one that caused me stop, laugh, and acknowledge it.


My rewrite of Diamond Road continues. Like a bad taco, the plot holes are slowly being squeezed through the second act. I’m hoping for them to vanish before act three or this is going to be a painful month. I also hope that it ends with the story feeling better, rather than just leaving a stench to be fanned away.

No matter what, I am determined to make the mistakes on paper, work each and every bug out before I hit the road to production. It’s a slow, frustrating time. I re-remember now, why movies get pushed towards production. It’s easier to see progress then. You’re spending money, the wheels are in motion, people are producing.

Got an interesting Press Release forwarded to me from composer, Vincent Gillioz.

news: October 2005
Shore's 'King Kong' rejected:
Howard Shore's score for King Kong has been rejected and will be replaced by a score from James Newton Howard. The shocking news was confirmed by Universal Studios in a press release today.Peter Jackson, the film's director and producer, says in a statement: ""I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy. During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of King Kong. Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness."Howard Shore had already recorded large portions of his score in New Zealand. The new score by James Newton Howard will, reportedly, be recorded in Los Angeles and has to be written at a very fast pace. The film will open on 14 December.



That’s the kind of thing that sends shivers down any composer’s spine. It’s also yet another reminder that no movie is made without hitches worries and fears about how it’s going.

Here’s one final tidbit to put a different light on things – Howard Shore is no stranger to film scores that are rejected. He was hired at the last minute to replace Elmer Bernstein’s score for Gangs of New York.

Wednesday, October 05, 2005

Rebroadcasting

Talked to Lance. He alerted me of a rumor. I googled, I checked. I confirmed.

Robert Altman’s newest movie, “The Prairie Home Companion”, has been tentatively re-titled. What’s the new title, you ask?

Take a guess.

“The Last Broadcast.”

Really. No kidding.

So, journey with me to a potential future typical conversation at a potential future typical party.

“So what do you do”.
“I’m a writer-director.”
“Oh, what have you made?”
“Well, my first movie was “The Game”.
“Really? You know Michael Douglas”?”
“It wasn’t that “The Game” it was another – made a couple years before”.
“Oh. What else?”
“I co-directed a movie called “The Last Broadcast”.
“Really? So you know Woody Harrelson and Garrison Keillor?”
“No, not that “The Last Broadcast”. Mine was about these people who go into the woods with video cameras and die and then a year later the footage is found and a documentary is made…”
“That sounds like –“
“Yes, I know. Mine was made a year before… say, I’m going to go get another drink”.

A few years ago a British band called “The Doves” put out an album called “The Last Broadcast”. That same year, Sheryl Crow put out an album with a song on it called “Diamond Road”. I registered that screenplay way back in 1994.

So, what does it all mean? Eh, probably not much. Just that I need to wrap the tin foil around my head a bit tighter.

Tuesday, July 19, 2005

Getting a head in the business

It seems that a lot of my friends are making movies about the head - and no, not a one of these movies was one of 'those' movies - produced in the valley. haha.

First, Paul Tarantino's HeadHunter, then Lance Weiler's Head Trauma, and just this past week, I had a chance to go to a very secret screening of Brothers of the Head by Lou Pepe and Keith Fulton. I'm sworn to secrecy on it - the print was flown in from Britain - complete with security detail, and flown out the very next day. Okay - the security was an assistant named Abby, however, she was under threat of death to let the print out of her sight.

Suffice it to say, the movie will get into YOUR head. Bravo, Guys!

And you, fair reader will hear a lot about this movie soon enough.

Meanwhile, my head is hurting as I ponder the notes I've gotten for Diamond Road.
I'm in agreement with a lot of them, but finding it difficult to sort them into anything coherent for a re-write. UGGGH!. Maybe it's the heat. Maybe it's the sun. Maybe I'm just temporarily burned out on this script.

As I'm pondering the rewrite, I'm hitting the reload button on an order status page like a chimp trying to get peanuts: Yes, after a lot of late night searching, a lot of comparisons, a lot of reviews, user opinions, questions here on this blog, and some distant driving to the rare dealer in Soutern California, and after searching Pricegrabber for the best price, and reading reviews about said retailer, etc. etc.
- I went and ordered an Asus V6V notebook computer.
Never heard of them? Well, Asus (besides making great motherboards, etc.) are the company that makes Apple, Sony and a few other company's notebook computers. They have their own line of systems, and wow - these are the best looking notebooks on the market today. Performance is steller too.

This Sony Vaio has treated me fairly well, but it's getting funky. The (new) battery died (a victim of a bad battery board) and the hard drive makes a clicking sound every so often. It's not 'portable', since I need electricity, and the battery board replacement was for nought. If you've kept up with this blog, you'll have read about the upkeep of this computer.

I know I shouldn't get attached to machines, but as a writer, you do get attached to keyboards, computer screens, etc. Maybe even more so than the typical computer user. I'm going through the guilt pangs of replacing the system. Maybe VAIO knows - today the screen started flickering. Not a good sign. Not a good sign at all.

If any of you are tech junkies, you'll know the feeling of waiting for a really cool, new toy.
I've been hitting the reload button on the order page since its inception - Last Friday.
Let me hit that reload button again (seventh time today), to see if my order is updated in any way whatsoever...
Hey! An update!

The order has shipped from Canton Ohio - due here next Monday.

only 144 hours to go.

Friday, May 06, 2005

May Day

So, lots happening here. As I wrote, the agents were here... then the open houses.
UGHHHHHH!!!

We left a few minutes before the first one, but already there were people waiting. I swear, if you beat the Addams Family with an ugly stick, what was waiting outside is what they would look like.

The second open house, which was a Sunday, we left good and early and came back good and late. The house looked untouched, and there wasn't really any evidence of anyone having been here. I was thankful for that, and it made me wonder how many, if any people had showed up. Later, a neighbor dropped by to give us some stuff, so we asked her if people had shown up.

They had valet parking. I can't believe it. Valet parking for an open house!

Three days later, the agent called me up to tell me they had an accepted offer. I asked him what the price was, and he told me that while he couldn't tell me the price until it was recorded, it did go above asking.

I'm figuring in the $700,000.00 range.

He then was wondering about a time for a home inspection.

So, the home inspection was a couple days ago, and I got to see who the Einstein's that are the buyers were.

Da Da Da Dum (finger) snap snap

It isn't quite the whole Addams family, actually it's a couple (two women (I think)) who look Goth (though they had a DANZIG bumper sticker on their car which I don't think of as quite goth)

According to their agent, they just started a record label. It hasn't made any money so basically ----
They're unemployed!!

Now, I understand theres some money coming in from somewhere else, still -- remember that cipherin class in a previous post?

These are the people that are getting to the party right before it's over. I kinda feel bad for them, except I feel worse for myself losing my place.


So, it's becoming a reality. We're going to have to hunker down in the desert and wait for the real estate armegeddon to pass before doing anything.

If you want to read about the real estate bubble, there's no shortage of stuff - just google it.

However, I just saw something today which I think may bode much more serious.

If you don't know what Fannie Mae exactly does, here's a quickie. If you do know, jump to the link.

A person wants to get a loan to buy a house. They go to a mortgage lender. The mortgage lender lends the money. Then they sell the Loan to Fannie Mae for an origination fee (a combination government/private company)
This, by the way, is how interest only, etc. -- the whole crazy real estate thing - has been working -- it's largely government/bond subsidized.

If Fannie Mae or Freddie Mac were to go under/close shop, the real estate market would be dead and buried in twenty four hours.

Now - the link...

Here's a link.


Whatcha think? Could this be serious?



What else?

We had a great time a week ago for opening night of xXx State of the Union.
Pretty bad movie, but our neighbor Johnny!!! rocked!
He got to kick Sam Jackson's ass as well as Ice Cube - ending up getting killed of course. Juicy part, Opening credit billing. Can't ask for more than that.

We had drinks at the Lucky Strike Lanes in Hollywood before checking the movie out at the Chinese Theater. Ultimate Hollywood for an ultimate Hollywood movie.

Diamond Road is getting the serious re-working. For those of you who don't know, or want to know what's next - that's it. I'm doing an action adventure next. Old School. None of this Michael Bay crap that's been infecting action so much. Speaking of, if you want to see a fun, old school adveture, check out Sahara. Not bad.

So, there you have it in brief on this May 6th, 2005
Oh - which means that tonight is the big screen premiere of HEADHUNTER, a movie I was heavily involved with for the last year. Hell, I'm a co-producer.
If you live in Los Angeles, and you read this before midnight tonight... check it out. Santa Monica Laemmle 4 at midnight.

For those I don't see there, see you in the digital ethers.

Sunday, January 23, 2005

drying out

Okay, back again... able to get the supply and get the needle in my arm. Ahh, relief.

I returned from the christmas holidays to L.A. on New Years Eve. The phone was dead due to rain - a reoccuring problem that is supposedly fixed everytime we gripe to the phone company. This time though the rains didn't stop coming. Mudslides, floods, etc. The news of southern California for quite a bit of January. My personal pain - we didn't get the phone line running until Jan 21st!! Can you believe it? 22 days without a landline, internet, fax capabilites!!!
I came to decide upon two things. 1. The phone company needs to get their act together and 2. I don't think Socal would fare so well in a mini-major disaster. huh.

The movie is on PPV now. Started January 1st. So far the feedback has been pretty good.

Of course there are also the people that don't like the movie so much -- and frequently they feel the need to make sure everybody knows their feelings.
There is an interesting inverse curve on the internet in terms of opinions. Youth, brash and convinced it's always correct (I know that between the ages of 12 and 22, I was never wrong and my opinion on movies was at least as good or better and of course more valid then anyone elses)
is the most likely to populate message boards, forums, etc. It makes for quite a skewed sense of reality on many things. I've found myself, as time goes on, having to read between the lines quite a bit more with reviews of pop culture. The writing of a thirteen year old can be mistaken with that of an adult, and therein many a problem can be created.

What to do? I don't know. Maybe google will come up with a filter that filters out by age?
Let's see... if a message uses the word "wuz" instead of was or "u suck", or if allusions to "bit torrent", warez, rulez, etc. are used - that could be a start.

In other "Stefan Avalos" news, I'm formally in the rewrite stage of "Diamond Road". Finally, it's beginning to move. I actually found that using a notepad and pen was a good way to shake the dust out of my head. I guess sometimes a computer is too easy to do nothing with.

Well, with hopes that my DSL stays alive and that the weather stays beautiful, I plan on more blogs. There is that continual promise of mertous writing - maybe this week.

C U l8ter :)


Monday, November 01, 2004

I'm back - a mere two months and change later

Well, I have no idea if anyone is bothering to read this whatsoever.
If someone is, it's more than I deserve. Really.

I'm sure I would rank as a most pathetic 'blogger'.
ya know, I see this whole 'blog' word as being about done. It's a dumb word, attempting to coin an idea which is very very old. Older even then frickin Gutenburg's press.

Come on, I'm writing something and you're reading it. Anne Frank anyone?

Lots and lots of stuff has happened since my last 'blog' (ug) some time in August.
Oct 19th has come and gone. It was an important date for Marianne and myself - the date our little baby, Ghosts of Edendale, would finally be thrown from the nest. Hopefully to fly, and not hit the ground with a wet splat.
Well, it's flying. Better than some birds, not as good as others. I am actually very happy with it. On that Tuesday, we went out to various video stores to see if it was available. It was. We went to retail stores. It was there.
At BestBuy, we found ten odd copies in the horror section. Marianne moved five of them to the new releases, right next to Star Wars.
It's called end capping, we call it pro-active work.

Amazement of all amazements - we're in Walmart! How about that?

Flash forward to present though future blogs will go backwards again. Call it non linear daily or thereabouts blogging.

So, here I am on Halloween night, finally writing a new blog. There is more. Always more to write about. But the buzz of the wine will last only so long. Best to write only what counts most right now.

Please vote on Nov 2nd. I guess that counts most now. I hope you vote the way I am (which is Kerry), but if not, please vote. Otherwise, what's the point of saying you live in a democracy? Doesn't really matter, does it?

What else? Oh yeah - think we may have to move pretty soon - as in pack up your life and move. Funny, the movie gets done and out there, and instead of being able to sleep in late - we're looking at having to start all over again. Isn't that interesting? Ha fucking ha.

Having come from a rather rural part (I realize now) of the east coast, I was used to a place where things didn't change too rapidly. There's something really nice about that - stagnant - feeling. A little sarcasm? Less then you think. There is something nice about it.

Marianne and I have taken to calling L.A. "Dark City". For those of you who haven't seen the movie, "Dark City" is a place that changes from day to day. Nobody sees it but the protaganist. It's a great movie (the good arty version of "The Matrix"). In reality, it's a bit disconcerting. From day to day, we see friends, places, homes, etc. simply vanish.
A mere four years in one place, and we're the old timers.

And now, it seems, is our turn to walk into the tundra.

Went to a 'hill' Halloween party. If you've seen "Ghosts of Edendale" then you know about the 'hill' parties.
Lots of the usual suspects - always great to hang with. Met a new couple Samantha and Johnny. Samantha is a writer. Johnny was a scrappy dude who looked like he'd just been in a fight. He had, it turns out - with Ice Cube. Johnny's an actor. Just wrapped "xxx state of the union" with Willem Dafoe, Sam Jackson, et al.
Hey, check him out - http://www.imdb.com/name/nm0175295/
Johnny is the bad guy, it seems.

AFM (the American Film Market) starts this week, right after the election. It's the most important market for film, along with Cannes... So, for a week, Santa Monica will be more of a snake pit then usual. Time to don the gear and jump in.

Maybe I'll have some super cool news to tell you afterwards, or even during.

Till then...
Over an out.

Psst - actually, I promise that I will have a couple good AFM stories. I guarantee it.

Monday, August 23, 2004

They're heeerrre

Yes, the DVD's have finally arrived!
Warner was taking forever to ship boxes of them to us, which was freaking us out - since we have to send them to reviewers, and such.
Seeing them, boxes of them, is an incredible experience. Years of work, finally, for honest god, really happening.
And they are beautiful. I'm not just saying that because I'm the proud Pappa either. It really is a good looking box, as is the disc.

Oh, boy I hope people like it. We've worked so hard on it... though that alone doesn't mean anything in the end.

Also got new sandals (teva, thank you very much) and a replacement keyboard for this laptop - which I was able to replace in about 3 minutes. Ah, thanks for easy things once in a while, Sony.

Now, I go back to work on poster signing and promotion of our movie.

Friday, August 20, 2004

Rolling our own

Packaging posters, that's what Friday nights are all about.
Marianne and I are fulfilling poster requests for the movie. We've figures we can fit about twenty in one tube. So everything is in twenties. If somebody requested 30 - hey - they'll probably get 40.

It's cool to be cutting into the stack of posters. It also makes you realize what the numbers are really like. A number, like 40 or 50 means a lot more when each of those posters has to be signed.

The keyboard on this computer is behaving oddly. It's a laptop, means expensive keyboard. I ordered a new one today. Of course, once I did, the problems went away.
Hope it's not a viral thang of some sort. 6666666666 yup, the six works now. ---------- as does the dash. They weren't earlier on.

Hey, have you told your friends about my movie yet? You haven't? Well, what are you waiting for. It's "The Ghosts of Edendale" and it's coming out on October 19th.

Tuesday, August 17, 2004

life and death

Had a party this past weekend for my birthday. Lots of fun with only the closest of friends.
Daniel and Laura (new friends met in Vegas) and I ended up talking about people we know, plans, the future, dreams.
They were telling me about how they're going to produce several moves with Neal Fredericks. The guy is a D.P. - biggest credit was Blair Witch (ugh) but was really busting butt making a name for himself. Nice guy on all accounts.
Marianne and I are talking at an "indieclub" meeting in the next week, and supposedly Neal would be back from the Keys, where he's shooting. I messaged boarded with him a bit last week.

Past tense, present tense, future tense. They all get mixed up in a situation like this.

Got word this morning that Neal went down in an airplane while shooting. Crew got out, he didn't. He was tightly strapped in, with the camera.

He was dead when Dan and Laura and I were talking about those plans. Just, nobody knew it quite yet - hadn't recovered his body yet. Murky water due to Hurricane Charley and all.

You just don't know what to do. It's unfortunately the third person I know of (closely) that went down in a small airplane. All of them in "the biz", two of them camera men.

What can you say?
Life is fragile.